Wednesday, October 19, 2016

Strength & Spirit

"Strength is the morality of the man who stand out from the rest, and it is mine"

"Such men alone are my readers, my proper readers, my preordained readers. Of what account are the rest? The rest are simply....humanity. One must be superior to humanity in power, in loftiness of soul - in contempt"

Friedrich Wilhelm Nietzsche

Tuesday, October 4, 2016

Steel Romanticism in The Steel Rose

DREADFUL RELIC Steel Romanticism in The Steel Rose RADIO INTERVIEW

DREADFUL RELIC Radio Interview in STEEL ROSE broadcast of ROCKMACHINE Radio. With English Subs.

An indepth 2-hour discussion drenched in cursed sounds,  odes of black spells, echoes of nostalgia and Traditional Metal hymns!

On the 24th of January 2016, celebrating the 110 years from Robert E. Howard`s birth, STEEL ROSE hosted two members of DREADFUL RELIC, Commando Wolf & Hjarulv Henker.
Discussing themes such as the Metal upbringing in Hellas during the late '80s & early '90s, the introduction to the Black Metal Cult and the early days of the Hellenic scene, the birth and the musical/lyrical influences of DREADFUL RELIC, Heroic and Horror Fantasy literature, Romanticism and Traditionalism vs Modernity and more!

Monday, September 26, 2016

True Metal for White Heterosexual Males EXCLUSIVELY!

Finally after several years and endless delays the debut album of True American band THE RAUNCHOUS BROTHERS is out now!!!

Copies available from the web-store of RESISTANCE RECORDS

Their message is clear: HAIL METAL...DESTROY FAGGOTRY

You can listen the track "Faggot Bolshevik" here:

Sunday, September 11, 2016

Edmund Blair Leighton - Master Artist of The Victorian Era

Edmund Blair Leighton (1852 –1922)


The death of Mr Edmund Blair Leighton, on September 1, removed from our midst a painter who, though he did not attain to the higher flights of art, yet played a distinguished part in aiding the public mind to an appreciation of the romance attaching to antiquity, and to a realisation of the fellowship of mankind throughout the ages.

Mr Blair Leighton was born in London, on September 1, 1853, his father being that Charles Blair Leighton, portrait and subject painter, whose exhibits at the Royal Academy and other London galleries covered the period between 1843 and 1855. The son was educated at University College School, before taking a position in an office in the city, but entered the Royal Academy Schools after a course of evening study at South Kensington and Heatherley's.

He commenced exhibiting in 1874, and succeeded, four years later, in securing the verdict of the Hanging Committee of the Royal Academy in favour of two works, entitled respectively ‘
Witness My Act and Seal,’ and ‘A Flaw in the Title.’ Since then his highly wrought style was regularly represented at Burlington House until two years prior to his decease. Among the better known of his pictures, many of which were published, may be named ‘The Dying Copernicus (1880), To Arms (1888), Lay thy sweet hand in mine and trust in me ( 1891), Lady Godiva (1892), Two Strings (1893), Launched in Life (1894), The Accolade (1901), Tristan and Isolde (1907), The Dedication (1908), The Shadow (1909), ‘To the Unknown Land (1911),’ and ‘The Boyhood of Alfred The Great,’ 1913. For the past dozen years or so, Mr E Blair Leighton had been a member of the Royal Institute of Oil Painters. He had married in 1885, Miss Katherine Nash, by whom he had, with a daughter, one son, Mr E J Blair Leighton, who has also adopted painting as a profession.


Tristan and Isolde (1902)

Godspeed! (1900)
Accolade (1901)
Stitching The Standard (1911)
My Fair Lady (1914)
The Dedication (1908)
The Conquest (1884)
For full biography and more paintings click HERE 

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Sunday, September 4, 2016

Sunday, August 28, 2016

The Real Bosses of Hollywood

Few days before the official premiere of "Denial". A film which its easy to figure out how accurate on the real facts its plot will be. As it looks , we are before another libel sponsored by the well-known international gang. No way to ever see this film ofcourse. Just grabbed the chance to remember for one more time who are the real bosses of hollywood. 

Here is some intresting parts from an interview taken from Rachel Weisz (who is the main actress in "Denial"). This will be another proof, to keep us in mind when we are watching a film who is the sponsor behind it.

Interview parts (the underlines are mine) taken from INDEX MAGAZINE (2001

EMMA: But, you see, you're holding back from saying what you said at the store, which was that you thought you looked too Jewish. Is it limiting as an actress to be perceived as being too ethnic in any way?
RACHEL: Well, I think you and I have always felt the same way — that we're Jewish but we can get away with just being exotic. We're kind of Jews in disguise. Those cultural stereotypes about the Jew with the big hooky nose and the fleshy face rub off on you. That's terrible to admit, isn't it.

 EMMA: Well, it's that Jackie Mason joke about how no Jewish woman wants to look Jewish: "'You think I look maybe a little Italian, I look a little Russian, perhaps I can be Spanish?' … 'You look Jewish!'"
RACHEL: Hollywood's run by Jews. I was advised by an American agent when I was about 19 to change my surname. And I said "Why? Jews run Hollywood." He said "Exactly." He had a theory that all the executives think acting's a job for shiksas.

 EMMA: Of all the self-loathing Jews in the world, the most self-loathing are the Hollywood Jews. They don't want to see images of themselves on screen. That's why Lauren Bacall had to hide her identity, and Winona Ryder changed her name from Horowitz.
RACHEL: In some way acting is prostitution, and Hollywood Jews don't want their own women to participate. Also, there's an element of Portnoy's Complaint — they all fancy Aryan blondes.

Check also this intresting links:
The official David Irving website (with daily updates) 

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