Wednesday, June 21, 2017

The Helios Overture - Soundtrack for the Summer Solstice


"Silence and darkness,
The sun rises with a joyous song of praise,
It wanders its golden way
and sinks quietly into the sea."


The full story of Helios Overture here


Monday, June 12, 2017

BRAN CASTLE - A Historical Timeline





1211
The Teutonic Knights – “Ordo domus Mariae Sanctae Theutonicorum Hierosolimitanorum” – a catholic religious order formed in Palestine during the late twelfth century by German crusaders, received Țara Bârsei (“Terra Borza” or “Burzenland” – a country named after the Cuman tribe of Burci) from King Andrew II of Hungary. The purpose of this gift was to establish the Teutons in the area and to defend the Southeastern border of Transylvania from the Cumans and the Pechenegs.
The Teutons erected a fortress in Bran (a Turkish name meaning “gate”), before they were driven away from the area in 1226.

 1377
On November 19, the office of the Hungarian King Louis the Great – Louis I of Anjou – issued a document granting to the people of Brasov (“Kronstadt” – The Crown’s City) the privilege of building a castle. Through this document, the Saxons of Transylvania (“Sachsen” – a population of German origin that came to Transylvania in the twelfth century), from the region encompassing Brasov, were urged to participate in the building of Bran Castle, which was previously named “Dietrichstein” or “Törzburg” in German, “Törcsvár” in Hungarian, and “Turciu” in Romanian.
 1388
In 1388, the castle’s construction was complete. The Castle was built on a steep cliff between Măgura and Dealul Cetăţii (“fortified town’s hill”), with an exceptional view of the nearby hills, Moeciu Valley and Valea Bârsei. It served the role of customs – holding 3% of goods transferring in and out of Transylvania – and the role of a fortress – the castle stood at the Eastern border of Transylvania and was used in an attempt to stop the Ottoman Empire’s expansion. The castle was inhabited by professional soldiers, mercenaries, and the storyteller Ioan de Târnava, wrote about “the English brigands and ballista soldiers” of the fifteenth century. The lord of the castle was elected by the King, usually from among the Saxons, and whose role was increasingly important in the history of Transylvania. By the end of the fifteenth century, the castle’s commander also held the title of Vice-Voivode of Transylvania.

1407
The Castle was given as fief (“property given in return for loyalty”) by Sigismund of Luxembourg to his ally, Prince Mircea, the Elder of Wallachia, where he could escape to in case of an attack by the Turks. After the death of the Romanian Prince in 1419, due to the political instability of Wallachia, Sigismund took over the castle and entrusted it to the Princes of Transylvania.

1441
The Turks raided Transylvania, but John Hunyadi (Iancu de Hunedoara) defeated them in Bran. Iancu, Prince of Transylvania, who needed the support of the Saxons at the border, reinforced the promises granted to the inhabitants of Brasov by Mircea the Elder and by Sigismund.






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Thursday, June 8, 2017

Europe 2017: Talmudic witchhunt to the enemies of Kalergi Plan



Hungary is a Nation that during the africano-asiatic invasion of the last years stood proudly on its ground, defending their National identity and sovereignity as an independed state with secure borders for its own people. Openly refused to be in the line of the EU-puppet states. Despite all our agreements , Viktor Orban showed courage and will for his own country and judging for his various statements, he seems to understand whats the real game in European politics these days. The Kalergi plan. 

Last April the veteran German patriot Horst Mahler, after an openly political persecution, and even an attempt against his life, escaped Germany, seeking asylum in Hungary.

See the full story here:

-THIS IS A VIDEO THAT EU TREASON GOVERMENTS DONT WANT YOU TO KNOW. SPREAD IT AROUND AS MUCH AS POSSIBLE -

 Some days ago the Hungarian court denied him the political asylum. 
Read the full story here

As it seems that Soros agenda still going strong in the nowadays Hungarian state....


Sunday, June 4, 2017

Latest News from the Underground Front


Omaimon Paradosis highly recommend the following releases from Racially motivated bands. Support the Underground!

SELBSTMORD's "Radical Declaration" new album is coming soon on DARKER THAN BLACK RECORDS.



JARNVIDR's last album "Förqwäwd" still available from OSTROGOTHIA PRODUCTIONS.



 
ANTISEMITEX "Pride of Silesia" 7"EP Coming soon via DARKER THAN BLACK RECORDS



VALHALLA BOUND "Hail The Warrior" TAPE 
released from BESTIAL BURST




GOATMOON/ DEAD REPTILE SHRINE "Winterforest" Split CD. 
2017 re-press by BESTIAL BURST

WOLFSPIRIT "Marching Towards the Abyss of Death" MCD coming during 2017. A side-project of TEMPLE OF FULLMOON-worship  by Widar (Bilskirnir) and Raborym (Dark Fury).




Wednesday, May 31, 2017

The Forest Wanderer






"The ship is a symbol of temporal existence, the forest a symbol of supratemporal Being. In our nihilistic epoch, optical illusions multiply and motion seems to become pervasive. Actually, however, all the contemporary display of technical power is merely an ephemeral reflection of the richness of Being. In gaining access to it, and be it only for an instant, man will gain inward security: the temporal phenomena will not only lose their menace, but they will assume a positive significance. We shall call this reorientation toward Being the retreat into the forest (Waldgang), and the man who carries it out the wanderer in the forest (Waldgänger). Similar to the term “worker” (Arbeiter), it signifies a scale of values. For it applies not only to a variety of forms of activity, but also to various stages in the expression of an underlying attitude. The term has its prehistory in an old Icelandic custom. The retreat into the forest followed upon proscription. Through it a man asserted his will to survive by virtue of his own strength. That was held to be honorable, and it is still so today in spite of all commonplaces to the contrary.


Wanderers in the forest (Waldgänger) are all those who, isolated by great upheavals, are confronted with ultimate annihilation. Since this could be the fate of many, indeed, of all, another defining characteristic must be added: the wanderer in the forest (Waldgänger) is determined to offer resistance. He is willing to enter into a struggle that may appear hopeless. Hence he is distinguished by an immediate relationship to freedom which expresses itself in the fact that he is prepared to oppose the automatism and to reject its ethical conclusion of fatalism. If we look at him in this fashion, we shall understand the role which the retreat into the forest (Waldgang) plays not only in our thoughts but also in the realities of our age. Everyone today is subject to coercion, and the attempts to banish it are bold experiments upon which depends a destiny far greater than the fate of those who dare to undertake them. The retreat into the forest (Waldgang) is not to be understood as a form of anarchism directed against the world of technology, although this is a temptation, particularly for those who strive to regain a myth."

Ernst Jünger Der Waldgang (1951)

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Monday, May 29, 2017

May 1453 - Before The Fall





May 28th, 1453
The final speech of  last Byzantine emperor Constantine Palaiologos to the last defenders of Constantinople. Greeks and Italians (from Genoa and Venice).


     “Gentlemen, illustrious captains of the army, and our most Christian comrades in arms: we now see the hour of battle approaching. I have therefore elected to assemble you here to make it clear that you must stand together with firmer resolution than ever. You have always fought with glory against the enemies of Christ. Now the defence of your fatherland and of the city known the world over, which the infidel and evil Turks have been besieging for two and fifty days, is committed to your lofty spirits.

    Be not afraid because its walls have been worn down by the enemy’s battering. For your strength lies in the protection of God and you must show it with your arms quivering and your swords brandished against the enemy. I know that this undisciplined mob will, as is their custom, rush upon you with loud cries and ceaseless volleys of arrows. These will do you no bodily harm, for I see that you are well covered in armour. They will strike the walls, our breastplates and our shields. So do not imitate the Romans who, when the Carthaginians went into battle against them, allowed their cavalry to be terrified by the fearsome sight and sound of elephants.

    In this battle you must stand firm and have no fear, no thought of flight, but be inspired to resist with ever more herculean strength. Animals may run away from animals. But you are men, men of stout heart, and you will hold at bay these dumb brutes, thrusting your spears and swords into them, so that they will know that they are fighting not against their own kind but against the masters of animals.

    You are aware that the impious and infidel enemy has disturbed the peace unjustly. He has violated the oath and treaty that he made with us; he has slaughtered our farmers at harvest time; he has erected a fortress on the Propontis as it were to devour the Christians; he has encircled Galata under a pretence of peace.

    Now he threatens to capture the city of Constantine the Great, your fatherland, the place of ready refuge for all Christians, the guardian of all Greeks, and to profane its holy shrines of God by turning them into stables for his horses. Oh my lords, my brothers, my sons, the everlasting honour of Christians is in your hands.

    You men of Genoa, men of courage and famous for your infinite victories, you who have always protected this city, your mother, in many a conflict with the Turks, show now your prowess and your aggressive spirit toward them with manly vigour.

    You men of Venice, most valiant heroes, whose swords have many a time made Turkish blood to flow and who in our time have sent so many ships, so many infidel souls to the depths under the command of Loredano, the most excellent captain of our fleet, you who have adorned this city as if it were your own with fine, outstanding men, lift high your spirits now for battle.

    You, my comrades in arms, obey the commands of your leaders in the knowledge that this is the day of your glory — a day on which, if you shed but a drop of blood, you will win for yourselves crowns of martyrdom and eternal fame.”



Friday, May 26, 2017

Συνέντευξη Dreadful Relic στο περιοδικό ''Φανταστική Λογοτεχνία'' (Δεκέμβριος 2016)


Συνέντευξη με το ελληνικό black metal συγκρότημα Dreadful Relic
 του 
Σταμάτη Μαμούτου 


  Οι Dreadful Relic αποτελούν ένα από τα σχήματα της ελληνικής black metal σκηνής  που διακρίνεται για τον πρωτογενώς «μαυρομεταλλικό» μονολιθικό του ήχο, καθώς επίσης και για τις στιχουργικές του αναφορές που σε αρκετές περιπτώσεις είναι εμπνευσμένες από έργα της λογοτεχνίας του φανταστικού. Στην συνέντευξη που ακολουθεί, ο κιθαρίστας τους Hjarulv Henker μας μιλά για την μέχρι τώρα μουσική διαδρομή της μπάντας και για τις επιρροές των μελών της.

-Hjarulv, θα ήθελα καταρχάς να μου περιγράψεις συνοπτικά το ύφος των δυο κυκλοφοριών σας, δηλαδή του demo «Archaic Conjurations» και του Ep  «Warlords of Cosmic Sovereign». Πότε κυκλοφόρησαν; Από ποια δισκογραφική εταιρία; Ποια η μέχρι στιγμής ανταπόκριση του κοινού στην χώρα μας αλλά και στο εξωτερικό;

Οι Dreadful Relic παίζουν Αρχέγονο black metal, πέρα όμως από τα επιτηδευμένα «ρετρό» ανέμπνευστα αναμασήματα που βλέπουμε σήμερα να αναπαράγονται από πρόσωπα που δεν είχαν καμία επαφή με το black metal της δεκαετίας του ‘80…Τα «Archaic Conjurations» και «Warlords…» κυκλοφόρησαν το 2014 και το 2015 αντίστοιχα από την εταιρία του Commando Wolf, «Frost & Fire». Η ανταπόκριση ήταν ικανοποιητική, λαμβάνοντας υπ’ όψιν ότι δεν ακολουθούμε τις μοντέρνες τάσεις της υποτιθέμενης «σκηνής». 

  -Εκείνο που έχω να σχολιάσω ακούγοντας τις δυο κυκλοφορίες σας είναι η άρτια παραγωγή, ο στιβαρός σας ήχος και τα ποιοτικά αισθητικά γνωρίσματα ιδίως στο «Warlords of Cosmic Sovereign», το οποίο κυκλοφορεί σε ένα εξαιρετικά προσεγμένο βινύλιο. Αν μου ζητούσε κανείς να χαρακτηρίσω με μια φράση το ύφος σας, θα απαντούσα πως στην περίπτωσή σας έχουμε να κάνουμε με ένα συγκρότημα που παίζει «πρωτογενές black metal». Είναι όντως έτσι; Ποιες θεωρείς τις βασικές μουσικές σας επιρροές;

Ακριβώς! Το Μυθολογικό Black Metal των Dreadful Relic έχει βαπτισθεί στις σκιές των Hellhammer/Celtic Frost, των Bathory και των Mercyful Fate.